According to ALICE COOPER fan site , Concert Live has set a February 13 release date for "No More Mr Nice Guy Live", a two-CD remixed version of Cooper's October 29, 2011 show at London, England's Alexandra Place.Concert Live, which enables fans all over the world to relive the experience with instant recordings of live gigs available within minutes of the last note being played, already released this concert as one of its instant live shows back in October, and the show has been aired on TV in both the U.K. and U.S., but this will apparently be a properly remixed version of this performance.

NEXUS INFERIS encompasses a master design of future extreme metal. Savage yet imaginative guitar riffs and relentless battery churn at the core of this cold dystopian death machine. Surrounded and cursed by devices of sinister orchestration, dynamic textures and digital sound designs. Possessed by a vocal threat spanning both human and non-human spectrums. N.I have been working on their debut release "A VISION OF THE FINAL EARTH" which promises to deliver a spark of innovation into the arena of extreme metal.

Afro-Cuban jazz act Irakere presents EXUBERANCIA, featuring eight infectious tracks including "Chango" and "Guan Tan Amera." Nine tracks recorded live at Ronnie Scott's in June 1988. Top notch, up-tempo, impeccably recorded Afro-Cuban jazz.

Compilation album released in Europe including 18 of the greatest hits of that was famous American vocal group 'The Platters' between 50's and 60's. Their compositions with romantic and classic lyrics and with well-structured vocal sound made their songs will grab hit after hit. And here are some of them to remember.

The lushness and easy melodiousness of these four orchestral works is almost startling, given Ziporyn’s (b. 1959) history, but it is certainly not an unpleasant surprise. An essential element in the texture of this music derives from the large percussion section, reflecting the composer’s intense and life-long interest in gamelan music. ... The gamelan world does not dominate the current release, but it is nearly always lurking in the shadows, if it is not now and again bursting through in a more exuberant fashion.

Meredith Monk's (b. 1942) music has been linked to the sacred vocal works of Hildegard von Bingen, the 12th-century mystic abbess and composer. It's often been said that Monk's voice can sound simultaneously ancient and new. She certainly belongs to a group of singer/composers who reacted to the vibrato-laden ornate antics of 19th-century opera, and sought to return to the clarity found in medieval ars nova and chant, as well as Eastern European folk traditions. I remember the poet Robert Pinsky once saying that if you want true inspiration, don't look back one generation or even two, but delve way back into the distant past, to the origins of language and art. Monk has created timeless music.