On fire is the third album of Michel Camilo who is a native of Santo Domingo, Dominican Republic. He studied for 13 years at the National Conservatory, and at the age of 16 became a member of the National Symphony Orchestra of the Dominican Republic (NSODR). He moved to New York in 1979, where he studied at Mannes College and at The Juilliard School.
Original Release Date: October 3, 1989
Label: Sony

Michel Camilo est un originaire Santo Domingo, la République dominicaine. Il a étudié pendant 13 ans au Conservatoire national et est à l'âge de 16 ans devenu un membre de l'Orchestre de Symphonie national de la République dominicaine. Il s'est rendu à New York en 1979, où il a étudié Mannes College and at The Juilliard School.

Dara Tucker was born into a musical family. The product of a music minister father, and a songstress mother, she began singing in her Tulsa, Oklahoma church at age 5. By age 8 she was playing simple melodies on the piano and soon began accompanying her brothers and sisters at performances.

David Sylvian - The Good Son vs. The Only Daughter. The Blemish Remixes (2005) {Japan Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 253 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 400 dpi (jpg) -> 40 Mb
© 2005 SamadhiSound / P-Vine | PVCP-8779
Experimental / Art Rock / Electronic

On The Good Son vs. The Only Daughter Sylvian takes the Blemish recordings, and, in collaboration with a group of remixers including Ryoji Ikeda, Akira Rabelais, Burnt Friedman and Readymade FC, offers a set of radical re-workings of the originals, transforming them into yet unheard of delights. Nonetheless the title, actually not all the pieces have been remixed; some songs have been re-recorded with new musicians.

Red Line Chemistry - Dying For A Living (2010)
MP3 320 kbps | Label: Bulldog Productions | No Covers | 109,2 MB
Genre: Modern Rock/Alt. Rock | Release: 2010 | 1CD

Red Line Chemistry is simply on the verge of widespread awareness. Few bands can boast to having performed in front of tens of thousands in a single gig while remaining unsigned, much less enjoying the experience multiple times. In the short life-span of the quintet, their notoriety has crossed the borders of Missouri and Kansas, entering Indiana, Minnesota, Oklahoma and neighboring states. The smoke is starting to spread, and the fire will soon follow.Outside of back-to-back years as a featured attraction on KQRC 98.9 The Rock’s annual event for 50,000 rock fans, Red Line Chemistry has shared the stage with Stone Temple Pilots, Seether, Puddle of Mudd, Saving Abel, Chevelle, Shinedown, Sevendust, Saliva and others.

Jackson 5 - Live at the Forum (2010)
Mp3 320kbps / 44.1kHz | 02:07:49 | No Covers | 296.40 MB
Genre: Pop | Label: HIP-O SELECT | 2CD

The Jackson 5: Live At The Forum is a new 2-CD set released June 22 that uncovers an amazing chapter from the phenomenal career of Michael Jackson and his brothers in the J5: their extraordinary performances from the Los Angeles Forum, recorded in June 1970 and August 1972–the first at the start of their rapid ascent to stardom, the second when they became established icons. These brilliant shows have not been released in any form until now, the 40th anniversary of the 1970 show.Live At The Forum features earth-shaking live performances of the group's best-known hits - "I Want You Back," "ABC," "The Love You Save," "I'll Be There," "Never Can Say Goodbye" and more. Single B-sides "I Found That Girl" and "I'm So Happy" and such surprises as album cuts "Bridge Over Troubled Water" and "Zip A Dee Do Dah," plus songs not released by the J5, including covers of James Brown's "There Was a Time" and the Isley Brothers' "It's Your Thing," are part of the shows. The 1972 show also features a full, fantastic set of Michael's solo hits, including "Got To Be There" and "Ben," his brand new single at the time, as well as a solo spot by Jermaine.

Suspiria was Dario Argento's opus. This was a ground breaking movie. It was a visual and audio attack on the senses. He used sight and sound like no other film maker has before ( or since). What made the film remarkable was the synth pounding music from Goblin. A drum and synth driven soundtrack that was mixed VERY LOUD. The title track as eerie spoken word verses spoken by Claudio Simonetti (the band's leader and keyboard/synth player) because of his command of the english language. As a stand alone disc it's just as creepy. Dario Argento arranged and conducted some of the music (to keep it flowing to the movie) as well. Argento and Goblin made one hell of a team. From time to time, Goblin would reunite with Simonetti and compose music for Dario Argento as a favor to the man who made them world famous. ~ Joseph P. Ulibas

In evaluating a Bach cantata recording, there are so many variables to consider--programming choices; quality and type of soloists; tempos and balances among soloists, orchestra, and chorus; quality of choir and orchestra; use of alternate arias (or voices for a particular aria); version of the score (where more than one exists); instrumentation (period or modern instruments; configuration of continuo); and of course, the quality of the recorded sound--that comparisons between different recordings often become more descriptions than critiques. No matter how "good" a performance is, if you don't like period instruments you won't like Herreweghe or Koopman; likewise, if a certain countertenor soloist bugs you, you'll be unlikely to enjoy a cantata in which that singer is prominently featured, no matter how wonderful the work's other movements sound. On the other hand, if you like Koopman - or Herreweghe, both of whom are the most interpretively consistent among period-instrument practitioners (Rilling fits that bill in the modern-instrument category; "periodists" Gardiner and Harnoncourt are notoriously unpredictable) - then you'll likely be pretty satisfied with most of their efforts in this repertoire...

David Vernier, ClassicsToday.com

Auer is remembered as one of the most important pedagogues of the violin, and was one of the most sought-after teachers for gifted pupils. Many famous virtuoso violinists were among his pupils, including Mischa Elman, Jascha Heifetz, Nathan Milstein, Efrem Zimbalist, Georges Boulanger, Benno Rabinof, Kathleen Parlow, Oscar Shumsky, and Sasha Lasserson. Auer also taught the young Clara Rockmore, who later became one of the world's foremost exponents of the theremin.