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Blood of the Nations is the title of Accept's twelfth studio album. It is the band's first studio recording in 14 years (since 1996's Predator) and the first album to feature Mark Tornillo. This is also the first album to feature guitarist Herman Frank in 26 years.
Térez Montcalm (born Thérèse Montcalm in 1963) is a Canadian singer-songwriter. She describes herself as "a jazz singer with a very 'rock' attitude". As a musician Montcalm sings and plays acoustic guitar, which she has played since a young age, as well as playing double bass. Her influences include artists from a variety of genres, including Jimi Hendrix, Elvis Presley and Billie Holliday and her music has been compared to that of Edith Piaf and Janis Joplin. Her career started in 1981 and during her early years as a musician, she performed as a warm-up act for bands such as Cowboy Junkies...
At the time that this Mainstream LP was recorded, Blue Mitchell was the featured trumpeter with John Mayall's blues group. Mayall returned the favor for Blue's set, playing harmonica with an electric octet headed by Mitchell. Among the sidemen are Herman Riley (on tenor and flute), keyboardist Joe Sample and guitarist Freddy Robinson. The material (all obscure originals) is primarily blues-oriented, and the music overall is listenable and funky, but not particularly memorable. Just an average date from these fine musicians.
The ORCHESTRA Ambros Seelos - a musical brand of the highest class.Multi National. Made in Germany.Ambros Seelos, the extremely popular bandleader, created and shaped this orchestra in his highly musical characteristics.He led his orchestra with charisma, wit and Bavarian charm almost around the entire globe.
Spooky Tooth are an English progressive rock band principally active, with intermittent breakups, between 1967 to 1974. In recent years, the band has been reconstituted at various points and continues to perform occasionally.
Started on pots and pans, graduated to the trampoline, moved onto piano, learned a little guitar, did a lot of skateboarding, bought a Van Halen tape or two, played in middle school grunge bands, graduated to high school ska bands, migrated to college funk bands, majored in piano at CU, played a show at a go-kart track, cooked up a storm, recorded as much as possible, bought a rhodes, started collecting keyboards, won six Grammys, collaborated with Notorious B.I.G. a few times, won "Remixer of The Year" in SPIN, traveled the globe with the Globetrotters, invented no less than thirty-three different dance crazes, reinvented reggae, built a handmade schoolbus out of balsa wood, toured Middle Earth in said bus, started a rehab center for orphaned ducks, mastered the art of playing in g minor, invited Pearl Jam to open up for my 1994 arena tour and was turned down, lost a leg, and that brings us up to today.
The love affair between Europe and the blues began in the early 50s with the arrival of Big Bill Broonzy who performed in Limoges, France, where most of the musicians on this album come from and where it was recorded. Zora first performed in Europe in 1981 and has made more than 20 tours in France. Inspired by Zora & Bobby Dirninger's recording of Two Trains Running on her previous Delmark album (Tore Up From the Floor Up), producer Chris Dussuchaud suggested a half-electric / half-acoustic album. The French Connection is Zora's renditions of not only Chicago blues, but also gospel, jazz, deep Mississippi blues and country music in her own, very special way.
There's no question about pianist Kateryna Titova's technique in her debut recital, and a good thing, too, since the program consists entirely of works by Rachmaninov, the composer of some of the most transcendentally difficult piano music of the fin de siècle. But no matter what the Russian composer asks for -- be it the tumults of notes that open the Allegro agitato of his Second Piano Sonata, the ethereal ostinatos that start the Prélude in G minor, the monumental sonorities that fill the Prélude in C sharp minor, or the feathery arabesques that saturate the composer's transcription of Rimsky-Korsakov's Flight of the Bumblebee -- the young Ukrainian-born, German-based pianist nails them all. If that were all Titova brought to this music, it would be remarkable but not unusual; there are many pianists out there who could do the same...James Leonard, Rovi
Hard to Find 12 Inch Mixes of Emf's 'unbelievable,' Golden Earring's 'radar Love,' 'right Here, Right Now' by Jesus Jones, Billy Idol's 'flesh for Fantasy,' Greg Kihn's 'jeopardy,' Living in a Box's 'living in a Box' and Much More.
Traces are an Extreme Symphonic Metal band from the UK, formed by guitarist Dave James, bassist Daniel Scrivener and his brother James Scrivener on keys, and were shortly joined by Sam Greenland on drums. Taking influence from such bands as Wintersun, Dimmu Borgir and Emperor, the success of their demo track Vivisection managed to secure them a deal with Siege Of Amida Records in 2007 only a few months after their formation.