Kult Black Metal horde Handful Of Hate is back with a brand new album, scheduled for November 12 on code666.HANDFUL OF HATE are celebrating 20 years of career (the band was born in 1993) and have always been masters of the Black Metal spirit, with “To Perdition”, they deliver 11 killer, instantly classic anthems.

Another flamenco guitar work by the master hands of Paco de Lucia. 'Castro Marin' is the name of his mother's Portuguese hometown, border with Spain and is a remembrance of her. After an American tour in late 1980 Paco recorded over three days in Tokyo this work. Recording really was a preparing his next disc 'Solo quiero caminar', made with the Sextet. The topics run both lead guitar format (five of them, in which Paco bends on another track) as a duet with acoustic guitar Larry Coryell ('Convite') or trio, featuring also John McLaughlin with a tweolve-string acoustic guitar ('Palenque').

Compilation work of the German author, composer, arranger and director Werner Müller (Berlin, 1920-1998) and his orchestra, offering a selection of 12 songs dedicated to Italian music. This LP was also released with the same issues in a different order under the title 'Echoes of Italy', and has subsequently been reissued digitally under the heading 'Italia, bella Italia'.

Upcoming young Blues Band out of Denmark. Mojo Makers has developed a unique Blues Style. With a solid hard rocking rhythm section and a charismatic lead singer. They combine the sound and the inspiration from the old blues masters mixed with a flavor of 70s soul and R&B sound.

This mammoth three-disc collection from mercurial English rock outfit 10cc covers an awful lot of ground, from their 1970 inception through the group's numerous solo projects in the '80s…

It’s a shame that Végh never recorded a complete Schubert symphony cycle: he was virtually unmatched as a conductor of classical period music. No one knew better how to float a melody (to hear his way with the opening of the Fifth Symphony check out my review of the dreadful Minkowski cycle). It was a combination of characterful phrasing, perfect balances, and (crucially) players encouraged to get involved in the interpretation and characterize their individual parts. In other words, these performances are true collaborations.
– David Hurwitz, ClassicsToday.com