Los Angeles, CA death dealers MURDER CONSTRUCT released the debut full-length entitled Results. Featuring 11 tracks of violent, uncompromising death/grind, the quintet display cut-throat songwriting and top-notch musicianship mixed with their own brand of twisted experimentation to create one of 2012’s most punishing auditory experiences.

NORDOR were founded in 1989, its first lineup being "False Prophet" (Guitars-Vocals), "Mardok" (Guitars), "Gore" (Drums) and "Unblessed" (Bass).Later in that year, the band entered Devasoundz Studios to record their second full-length album, “Erga Omnes”. Behind the console were Fotis Benardo (Septicflesh), Chris Antoniou (Septicflesh, Chaostar), and George Emmanuel (Valet Parn).The album was then mixed in Fredman Studios (Gothenburg, Sweden) by Fredrik Nordstrom & Henrik Udd, and mastered in Tailormade Studios (Stockholm, Sweden) by Peter In De Betou. Guest appearances in the album are made by Marios Iliopoulos (Nightrage) in “Bow to Me”, Christos Antoniou (Septicflesh, Chaostar) and Androniki Skoula (Chaostar) in “5A”, as well as Seth Siro Anton undertook the album’s artwork.

This disc is essential for every Ray Conniff Fan, the music is delightful, romantic and excellent for dance; I rated it with 5 stars because every number in the disc makes me feel that I'm young and fresh! I played it to my mother (she was a really a Ray Conniff fan since 1955) and we thought it was the best example of "The Happy dance years of instrumental music"; My favourite numbers are "Stompin'at the Savoy", "Ebb Tide", "April love" and "I Understand", but every song in this disc is incredible, phenomenal, fabulous and excellent!!; It's Pure Ray Conniff!!!
C. Bellegarrigue

Based, like the operas of Puccini (1896) and Leoncavallo (1897) on Henri Murger's Scènes de la vie de Bohème, Bohemios belongs to the tradition of the short, one-act género chico. It was premiered at the Teatro de la Zarzuela on March 24th, 1904.Apart from the two principal characters the others' singing parts are very minor indeed (but they say quite a lot in the connecting dialogue, which is not recorded here); the chorus in the second scene (outside a dance-hall), however, is given plenty to do, if only in providing local colour.