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…Compared to most wretched American nu-metal bands a decade later, Jesus Jones doesn't forget the sheer fun of hip-hop as well as the potential rage.
…Once again, Järvi and his band have captured Beethoven's wilful and often irascible character, rhetoric, polemics and sheer genius in fully-charged performances which also reveal his deep humanity. They certainly should number among the elite.
Cryptopsy is an extreme metal band from Montreal, Quebec, Canada. During the past twenty years, Cryptopsy have wreaked havoc throughout the metal genre by releasing six studio albums (Blasphemy Made Flesh, None So Vile, Whisper Supremacy, And Then You’ll Beg, Once Was Not and The Unspoken King), a live album (None So Live) and an EP (Ungentle Exhumation), which have confronted and invigorated the conventional approach to writing extreme music. Now in 2012, Cryptopsy have returned to their roots in order to craft their newest endeavour entitled “CRYPTOPSY”. The band has said that “CRYPTOPSY” will be their most brutal, technical and dynamic offering as of yet.
MARILLION returns with "Sounds That Can't Be Made", their 17th studio recording echoing the great layered sound of albums like 'Marbles' and 'Afraid of Sunlight', all that Marillion fans hope to hear again.If you're a fan of Hogarth-era Marillion and consider 'Marbles' to be one of their better albums, you're highly likely to see "Sounds That Can't Be Made" as a return to form. It is indeed a great album, with all the Marillion essence and a strong melodic orientation but always prog rooted. A very 'musical' piece with excellent musicianship and production. In short; "Sounds That Can't Be Made" features all the hallmarks of Marillion's classic work, and that's a good thing.Easily Recommended.
The score of Neptune is a revised version of Scott’s symphonic poem Disaster at Sea, a programmatic account of the sinking of the Titanic. The work evokes a cold calm sea, becoming more animated as the ship sails on its way. Later the trombones clearly evoke a foghorn and a tremendous climax follows. A series of storm episodes ensue before the whole orchestra takes up a lament for loss at sea. Symphony No. 3 The Muses requires an enormous orchestra, including four flutes, a large percussion ……..
Bernard Stevens's Dance Suite, Opus 28, was written in 1957 and first performed in a radio broadcast in 1961 by the BBC Northern Orchestra under George Hurst. Any listener expecting a relaxed sequence of light music will soon be rudely disabused. In choosing his title Stevens may well have been thinking of the Dance Suite of Béla Bartók, like his own, a challenging and substantial work founded on a complex sublimation of national dance-rhythms. The four movements of Stevens's suite create the impression of something more like a concise and vigorous 'dance symphony'; and like ……