Positive Vibrations is the eighth album by the English blues rock band, Ten Years After, which was released in 1974. Shortly after the release of this album, the band broke up.

Featuring the first recording of two works by George Enescu – the String Octet, Op. 7, and the Piano Quintet, Op. 29 – this album introduces the listener to the fascinating, multifaceted, and intriguing world of the Romanian master's chamber music. Enescu's music is expertly performed by members of the extraordinary KREMERata BALTICA under the direction of Gidon Kremer, who plays first violin in both pieces. Kremer wisely chose the music, for the two …..

Zoran Minderovic @ AllMusic.com

Born in Tashkent, Uzbekistan, Elena Kats-Chernin studied music in Moscow, Sydney and Hanover. She has created works across nearly every genre, from rags to operas and works for robotic instruments to a full scale choral symphony. Her music featured at the opening ceremonies of the 2000 Sydney Olympic Games and the 2003 Rugby World Cup. She has received several awards including the Sounds Australian, Green Room and Helpmann Awards. In September 2012 her adaptation of 3 Monteverdi operas, a collaboration …….

A Master Jazz Guitarist, from the guitar God's Wes Montgomery,Grant Green,Benson Las Vegas via Detroit Motown. Hollowbody Fat sound. A Master. Five original songs, written by Calvin Brooks. Very Melodic Jazz guitar likes, of Grant Green, Wes Montgomery, George Benson, with clean and strong playing. this Smooth Jazz, grooving, riding music. Recorded in Detroit, with cat's from the motor city. Phil Hale, Keyboards, Darrell Peanut Smith, Bass, Ron Otis, Drums, Robert Jones , Keyboards , Kathy King, Vocals. Good music for everyone.

Our take on standards from the world of Gypsy Jazz- both old and new. That band of maniacs appropriately known as Le Chat Lunatique—Muni Kulasinghe (violin, vocals), John Sandlin (guitar), Jared Putnam (bass, vocals), and Fernando Garavito (drums)—have released several albums loaded with delightfully eccentric covers and originals in a style they call “filthy, mangy jazz,” but their latest release, Swing Gitan, finds them taking aim at the vintage music that inspired them in the first place—le jazz hot of Django Reinhardt and Stéphane Grappelli, and their contemporaries and descendants…

With “The Re-Arrival” DEADLOCK present their fans an impressive overview of their past work, which goes much further than the usual “Best-Of” releases. Within the 30 tracks on “The Re-Arrival” you’ll find some pretty rare and previously unreleased demo tracks from the very early days of the band’s history, complete re-arrangements of DEADLOCK classics and 3 brand new tracks with the new drummer and wunderkind Werner Riedl, which marks another step in the band’s evolution and which shows again, that guitarist Sebastian Reichl is a highly gifted songwriter if it comes down to hit potential of the tracks.

Featuring: Journey, Boston, Blue Öyster Cult, Jeff Beck, Electric Light Orchestra, Patti Smith, Alice Cooper, Quiet Riot, Survivor, Johnny Winter, Stevie Ray Vaughan, Lita Ford, Soul Asylum and many more.

Quasar in 1980 is the first release of Mythos as a solo project of Stephan Kaske. The intro sounds like an electronic version of Jethro Tull. Although the dominant instrument is the synthesizer, Quasar is not like the classic '70s epics with 20-minute tracks and no clear structure. Vocoder, flute, synthesizer, and occasionally distorted guitars are used in some tracks. Most songs have a dark mood, with chirping and chugging sounds, strong leads, and rhythmic basslines and drum grooves.