Death Metal undeads LIFELESS released their long awaited second album named Godconstruct on March 1st. 2013. 11 new stunning and catchy pure classic Death Metal hymns deep from the crypts of Germany will crawl into your rotten ears. Do you like rawness combined with emotionally melodies? Don't miss Godconstruct !

AC/DC wasn't the only great Australian hard-rock band to come out of the '70s; Rose Tattoo's blues-based heavier-than-thou sound made them legends down under, even if they never broke out in America like their aforementioned countrymen. PAIN finds the band hitting it harder than ever 25 years into their career. Singer Angry Anderson and slide-guitar demon Peter Wells still front the band as they pound through blistering tunes teeming with full-throttle vocals and explosive guitar licks. Imagine AC/DC if they dropped the schoolboy humor and got really ticked off, and you'll have a fair idea about the sound of PAIN. First studio album in 17 years for Aussie hard rock act. 16 tracks, highlights include 'Black Magic', 'House Of Pain', 'Satan's Eyes' & 'Illustrated Man'. Steamhammer Records. 2002. Recorded at Karo Studio, Brachel, Germany. Personnel: Angry Anderson (vocals); Peter Wells (slide guitar); Paul DeMarco (drums). Audio Mixer: Herman Frank. Photographer: Jim Hilburn. Rose Tattoo: Angry Anderson (vocals); Rockin' Rob Riley (guitar); Pete Wells (slide guitar); Steve King (bass); Paul DeMarco (drums).

With a pan-Americana recipe bubbling with elements of pop, folk, Appalachia, cajun, zydeco, and jam band, Donna the Buffalo entertained a very loyal fanbase–known as "the Herd"–for almost 20 years before releasing this understated gem in 2008.

I Mother Earth - Scenery And Fish
EAC+LOG+CUE | FLAC: 430 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Capitol # CDP 7243 8 32919 0 8 | Country/Year: Canada 1993
Genre: Rock | Style: Alternative Rock, Hard Rock

…A worthy follow-up to an impressive first release, Scenery and Fish accords I Mother Earth a place among the more interesting and entertaining hard rock bands of recent years.

Larry Combs, one of the world's most respected clarinetists, joined the Chicago Symphony Orchestra in 1974 and was appointed principal clarinet by Sir Georg Solti in 1978. He has since appeared as concerto soloist with the Orchestra on numerous occasions. Prior to joining the Chicago Symphony, he was a member of the New Orleans, Montreal, and Santa Fe Opera orchestras. This is the premiere recording of Rózsa's Sonata for Clarinet Solo.

Avie continues to bring to light the music of Hans Gál – “music well worth championing,” according to The Sunday Times (London) – with the world premiere recording of the Third Symphony conducted by committed advocate, American conductor Kenneth Woods with the enterprising Stratford-upon-Avon based Orchestra of the Swan. Written in the post-war years, after the “continental Briton” had settled in Edinburgh, the work ranges from lyrical tranquillity to a densely contrapuntal and rhythmically complex style….

Harvest Moon continues the Votum tradition of giving melancholy atmospheres, some well-done prog metal sections, and (most importantly to them) soul-splitting lyrics. Yes, Votum has some of the best lyrics in the business. They really grab your heart by the neck and force you to feel something…

Schumann’s Piano Quintet, composed in the autumn of 1842, was one of the earliest examples of the combination of piano with a string quartet – Boccherini, Dussek and Hummel had each produced one, and Schubert used the double bass in his ‘Trout’ Quintet. It instantly became one of Schumann’s most popular works. It was composed at a time of almost feverish industry – he composed his three string quartets Op.41, the Piano Quartet and a set of Fantasy Pieces for piano trio, all in 1842. The piano quintet is a captivating, almost spontaneous work, and is a brilliant example of Schumann’s inspiration from start to finish.

The Art of Renée Fleming brings together 18 defining tracks spanning Renée’s finest Decca recordings, including favorite arias by Puccini, Handel and Gershwin and duets with Bryn Terfel and Plácido Domingo. Four special bonus tracks reflect Renée’s prominence beyond classical repertoire with two Broadway classics, Amazing Grace - which she memorably sang at the site of the World Trade Centre and a brand new version of Leonard Cohen’s Hallelujah.

As a teenager, David Newman played professionally around Dallas and Fort Worth with Charlie Parker's mentor, Buster Smith, and also with Ornette Coleman in a band led by tenor saxophonist Red Connors. In the early '50s, Newman worked locally with such R&B musicians as Lowell Fulson and T-Bone Walker. In 1952, Newman formed his longest-lasting and most important musical association with Ray Charles, who had played piano in Fulson's group. Newman stayed with Charles' band from 1954-1964, while concurrently recording as a leader and a sideman with, among others, his hometown associate, tenor saxophonist James Clay.